Watchmen and Intertextuality: How Watchmen Interrogates the Comics Tradition
Today, Watchmen is celebrated as an autonomous work — and it is partly on this basis that its greatness rests. Comic-book professionals and aficionados consider it the Citizen Kane of the medium — not...
View ArticleTensions Between Text and Image
The medium variously known as comic books, graphic novels, bandes-dessinés, manga, manga, sequential art, and sequart has been defined as the juxtaposition of text and image on the static page. Once...
View ArticleWhy are British Writers so Popular?
It is something that has always interested me as a British reader, and something I briefly touched on in my previous column; comics are a quintessentially American art form, so how come so many of… [more]
View ArticleComics Addictionado (or, The Comic Reader’s Manifesto)
Enter, mortals, and despair! This is Tact is for the Weak, the article that’s been eating Mexican food all day and can’t wait to spend the night at your place! Admittedly, comics fans are a… [more]
View ArticleYour Guide to Civil War: The Past, the MRA, and the Watchmen
“Stop, vile villain!” shouts the Generic Superhero. “Never, I will kill my victim(s) if you fail to do as I say,” replies the Generic Villain After a tense standoff, our intrepid Generic Superhero...
View ArticleFrom the Deck of the Black Freighter
My wife outright refuses to read the Black Freighter portions of Watchmen. Every time I press her on the issue, she complains, “They’re boring! I don’t want to read about pirates!” I have a nearly...
View ArticleIt Takes Two – Text & Image in Comics
So, comics as an art form! A truly legitimate art form, unique and self-actualized, with debacles and triumphs all its own. Not the bastard child of film and literature, and not just for kids, male...
View ArticleRoundtable on Current Super-Hero Comics, the Problem of Nostalgia, and the...
Depending on whom you ask, current super-hero comics are either sub-competent exercises in nostalgia or exciting, dynamic explorations of heroism, adapted for contemporary times. To explore this...
View ArticleThe Right Number – Rules, Structure, and Rhythm
Earlier this month, I had a look at Scott McCloud’s The Right Number, an experimental web-comic with a unique format based on digital technology. The zooming format and the forward reading convention...
View ArticleWhy Comics Have Failed to Achieve Real Respect
It might superficially seem as if comics have finally achieved respect. They’re covered by the mainstream press. They’re increasingly taught in colleges. Their adaptations account for a huge percentage...
View ArticleSequart’s Books Get New, Cheaper Editions
Sequart Research & Literacy Organization’s entire line of eight books of comics scholarship is now available in revised editions featuring significantly lower cover prices. Each of these new...
View ArticlePacing and Punch in Watchmen #2
Watchmen is commonly thought of as one of the greatest graphic novels of our time, but it’s actually a reprint collection. The work originally came out as 12 separate issues, although they were all...
View ArticleWhen Adrian Veidt Owns Shakespeare: Why I’m Against Before Watchmen
DC Comics recently officially announced that it would be reviving the characters from Alan Moore and Dave Gibbon’s revered graphic novel, Watchmen, for a slew of prequel spin-off comics. In my opinion,...
View ArticleInvasion of the Character Snatchers
In literature, I would say that it’s different. I would say, and it might be splitting hairs, but I’m not adapting these characters. I’m not doing an adaptation of Dracula or King Solomon’s Mines....
View ArticleOn Rorschach #1
In which the blogger attempts to review Rorschach #1, despite the experience proving a thoroughly enervating one. Visitors should be aware that what follows contains spoilers and, uniquely for this...
View Article1986, The Year That Changed Comics: Introduction
In discussions of graphic novels, three works that are regularly cited as landmarks of the medium are Alan Moore and Dave Gibbons’s highly acclaimed Watchmen, Art Spiegelman’s Pulitzer Prize-winning...
View Article1986, The Year That Changed Comics: Introduction, Part 2
Over the course of the coming months, Sequart will be serializing chapters from my forthcoming book, currently titled 1986: The Year That Changed Comics, here on their website. This book originated as...
View ArticleAlan Moore Turns 60 Today
Today is the 60th birthday of Alan Moore, one of the strongest, most creative and unique comic voices of the past three decades. I’m sure everyone can join in sending best wishes to him in… [more]
View ArticleLee Harvey Oswald: A Comics Villain?
This week marks the 50th anniversary of one of the most infamous days in world history: November 22nd, 1963. Based on the violent and deadly events of that day, the names John F. Kennedy and… [more]
View ArticleA Response to Alan Moore from an Emotional “Normal”
Alan Moore is not known for being shy with his opinions, especially when it comes to the cultural intersection of comics and society. For Moore, given his spiritual and philosophical beliefs,...
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